Alex Hogan – has a BSc in Physics and research interests in Artificial Intelligence, Computational Reasoning, Propaganda and Online Communities. He has almost a decade of experience in managing and contributing to data and software development projects. His recent work has been in creating tools for collective action, the ethics of augmented decision making and modelling online tracking networks. In the COMPROP project at the Oxford Internet Institute Alex has built automated Social Media accounts and contributed to analysing the political economy of the manipulation of Social Media algorithms. He tweets at @AKHogan
Tom Barrington – has a BSc in Mathematics and is a qualified Prince2 practitioner. His software engineering experience includes web site development and programming over many years and most recently he has worked on the development of software robots deploying machine learning and NLP methods. Proficient with Node.js, PHP and Python, and the Laravel 5 and Vue.js web frameworks.
Kevin Hogan – Kevin is an Applied Psychologist with a BSc and PhD in psychology. He is a published researcher with significant project management experience. His interests include Organisational Development, HCI and Health Services research. He also has contributed to many data science projects and has a background in statistics and experimental design and a knowledge of the Google Big Query toolset.
Stephanie Moran – is a cross-disciplinary researcher with a background in contemporary art and libraries. She has a Postgraduate Diploma in Art from Cyprus College of Art (Cyprus), and an MFA in Fine Art from Goldsmiths College (London). Her AHRC-funded PhD with Transtechnology Research at Plymouth University uses gaming and AI as research methods to examine representations of nonhuman lifeworlds. Stephanie has over ten years’ experience of arts project management, art organisation leadership and librarianship in academic, specialist and public libraries. She most recently managed the library of Arts Council National Portfolio Organisation Iniva (Institute of International Arts), dedicated to challenging conventional notions of diversity and difference. She is Art Editor at peer-reviewed open access journal The Ecological Citizen and Art Advisor for GENIE: the Global Ecocentric Network for Implementing Ecodemocracy.
Casper Drake – has a BA in Political Science and a passion for technology, particularly its social implications. He writes software with Python, Lua and Go, and has experience of Linux systems administration and full stack development.
Alex Darer – holds a Masters degree in Computer Science and is completing a PhD in Cyber Security at the University of Oxford. His peer reviewed research has been published in the fields of Internet Censorship and Anomaly Detection. Alex is a CHECK qualified penetration tester and has developed training courses in ethical hacking and secure programming. His recent projects include the development of social engineering tools for a cyber security security consultancy and a web application firewall that uses machine learning to detect incoming attacks. He has several years experience in team management and has lead numerous projects from concept to prototype to product release. Currently, his interests lie in financial modelling, data mining & analysis and behavioural psychology.
Rich Woodall – is a writer and researcher whose interests include the history of media, the political economy of digital technologies, and culture and aesthetics. His work at Etic Lab is currently focussed on the use of federated learning and similar techniques to facilitate digital collaboration in situations where conventional data sharing is difficult or impossible. In 2019 he completed a PhD thesis on the relationships between visual technologies and the human face at the University of Sheffield.
Maggie Roberts – is an increasingly research based artist working across multiple media. She exhibits partly as an individual but always aligned to 0rphan Drift (the collaborative artist/hive mind she co-founded in 1994). Her practice has always involved creating immersive environments, excessive detail and feedback circuits of image content, rhythm and texture across screen, collage, digital and textural mediums. She is interested in manifesting invisible currents and currencies that affect the visible – expanding cosmic, geological, biotechnical and cultural time scales; machine vision; interspecies communication; uncertainty; fictioning and collaborations across disciplines that intervene to destabilize the agendas of Capitalism, and liminal and virtual energies.
All these she sees as forces for change.
She has participated internationally in over two decades of exhibitions, screenings and performance, most extensively in the UK, Europe, Canada and the States. Recent exhibitions include Miasma, Chrominance at Res., London; Still I Rise: Feminisms, Gender and Resistance at Nottingham Contemporary, 2018.
Maggie also teaches with the Critical Studies department at Central St Martins and as a visiting studio tutor at many UK art schools.
She hopes for distributed consciousness sometime soon and believes that collaborating with EticLab on developing a cephalopod AI will definitely increase her chances of achieving this.
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